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LOVE LIES BLEEDING, Loose Cannons and Post-Aronofsky Superhero Vibes
When Rose Glass debuted with Saint Maud, a lot has been made of the filmmaker’s connection to Martin Scorsese and that her genre-bent psychological study of a young woman’s slow process of detaching completely from observable reality was a tacit ode to Taxi Driver. Now, five years on, Glass is back with Love Lies Bleeding,…